Beyond the Grave: Concepts of Death in Early Modern England

Up until the last decades of the 19th century, people living in Derbyshire, England meticulously collected and stored their fallen or extracted teeth in jars. When a person died, these teeth were placed inside the coffin alongside the corpse. On Judgment Day, those who failed to do this would be damned to search for the lost teeth in a bucket of blood located deep within the fiery pits of Hell. [1]

Today, beliefs such as this may seem peculiar and quaint to a culture that has effectively banished the dead to the outskirts of society. Where once the corpse of a loved one was caringly washed by family members and laid out reverently in the home, it now is ‘injected, packed and placed in a coffin to prevent odours and the spread of germs’ by mortuary technicians. [2]

A dead body has become an offense to the living. It is contaminated, unhygienic, a potential source of disease. Moreover, it is a reminder of our collective mortality and in this sense, it must be shut away. Even when a body is displayed at a funeral, great efforts are made to return the corpse to a ‘natural’ state in which the dead look like the living despite the fact that the natural state of a corpse is putrefaction and decay.

Above all, death has come to be seen as ‘an impassable barricade that [precludes] interaction with those on the other side’. [3] Yet, it was not long ago that the boundaries between the living and the dead were believed to be much more transient and fluid than they are today.

On 14 February 1829, the Morning Herald reported a story about a woman who had recently died and been buried in a village near Mansfield in Nottinghamshire. Before dying, she had asked a close friend that the letters of her dead son be placed in the coffin beside her body after she had died. The friend—distraught by the woman’s eventual death—forgot to do this and became very distressed after the funeral. Fortuitously, the village postman died a few days later and the woman arranged to have the letters put into his coffin, as ‘she firmly believed that he would be as diligent a postman in the other world as he had been in this’. [4]

Stories like this help us to understand why people in the past feared the anatomist’s knife so much. Deliberate mutilation of the body in this life could have dire consequences for a person in the afterlife. Most people imagined the dead to have an active, physical role in the next world, whether this occurred immediately after death or on the Day of Judgement. For many living in earlier periods, dissection represented ‘not only the exposure of nakedness’ and disrespect towards the dead, but also the ‘destruction of [one’s] identity, perhaps for eternity’. [5]

But preserving the body for the Resurrection was only one reason why people sought to avoid ending up on the surgeon’s dissection table. Unlike most Britons today—whom view death as an irreversible finality—many people in the past believed the corpse retained power, or even vitality, shortly after dying. This was especially true of a person whose life was cut short prematurely.

For instance, it was widely thought that the hand of an executed criminal could cure a variety of ailments—ulcers, scrofula, cysts and even goitres. As soon as the victim had been pronounced dead, a crowd of people would surge forward to touch the cooling hand of the corpse dangling from the noose. Similar beliefs surrounded the blood of those unfortunate souls who lost their heads on the scaffold. Many people gathered close to catch the hot liquid as it spurted from the severed arteries of the neck; the blood was then drank, hot and thick, by epileptics hoping desperately to cure their debilitating and misunderstood disease. [For more on medicinal cannibalism, click here].

Nothing was spared when it came to the corpse of a criminal—the fat was especially prized by surgeons in the early modern period. According to one contemporary, Richard Wiseman attributed ‘the cure of a lady, whose legs were swelled and schirrious…chiefly to the parts being embrocated twice a day with clarified human fat’. [6] Stories such as this were not unique. In 1736, a woman in Norfolk sold the corpulent body of her executed husband to a surgeon for half a guinea—a considerable sum in 18th-century England. [7]

Even the severed heads on Tower Bridge were employed for medicinal purposes. In the 16th century, a number of German workers working at the Royal Mint in London fell suddenly ill (likely from the exposure to copper fumes). According to some beliefs, drinking from a cup made from a human skull could have miraculous therapeutic effects. With this in mind, the heads from Tower Bridge were removed, the flesh boiled off, and the skulls fashioned into drinking vessels for the immigrant workers. As expected, some of the men recovered but many of them died. [8]

Thus, a dead body took on a ‘life’ of its own. It was imbued with powers that could cure the sick and help prolong the life of those still living. For this reason, many people believed it was abominable to dissect, or waste, a perfectly consumable corpse for anatomical purposes.

Nowadays, our relationship with the dead is very different. This is not to say, however, that these attitudes are universal. In some parts of the world, the boundaries between life and death are far more fluid. The dead are not always ‘dead’ in the way we might understand it in our own culture. In Madagascar, for instance, people exhume their dead relatives, rewrap their remains in fresh grave clothes and dance with them around their tombs in a centuries old ritual known as ‘Famadihana’, or the ‘Turning of the Bones’ [see illustration on right]. This custom is based on the belief that the spirits of the deceased only enter the world of their ancestors after the corpse is fully decomposed. A similar ritual takes place each year on the second of November in the Christian city of Pomuch, Mexico, where family members gather together to wash the bones of their dead relatives.

But for most people living in Britain today, these rituals seem far removed from our own understanding of death. For us, the dead are dead, and anything which suggests otherwise is the product of the overactive imaginations of writers and movie-makers.

Or, of course, the past.

1. Sydney Oldall Addy, Household Tales with Other Traditional Remains (1895), p. 33.
2. ‘Laws and Regulations on the Disposal of Human Remains’.
3. Paul Koudounaris, The Empire of Death: A Cultural History of Ossuaries and Charnel Houses (2010), p. 10.
4. Ruth Richardson, Death, Dissection and the Destitute, 2nd edn. (2000), p. 4.
5. Ibid., p. 29.
6. Richard Guy, An Essay on Scirrhous Tumours, and Cancers (759), pp. 20-1.
7. Richard Sugg, Mummies, Cannibals and Vampires (2011), p. 234.
8. Cited in Alan Brooke and David Brandon, London: The Executioner’s City (2006), p. 11.

By | 2011-12-06T11:45:10+00:00 December 6th, 2011|Casebooks|10 Comments


  1. […] Apprentice Lindsey writes about bloodletting, leeching and cupping and concepts of what lies beyond the grave in early modern […]

  2. […] Superstitions about corpses in 19th Century England. […]

  3. Sue Hickey February 3, 2012 at 3:40 pm - Reply

    Beautiful article. We have lost so much of our culture and spirituality for the sake of the material world and our attempts to hide that fact. Hence the boom in cosmetic surgery – who do people have it done? Not for vanity, but because they don’t want to be reminded that Sister Death, a handmaiden of God, is on her way. There is the beautiful Middle Easter tale of Appointment in Samarra, where the man who sees the female Death in the market place and flees to hide in Samarra. She says “that’s strange to see him now, because I have an appointment with him in Samarra…” The funeral rite in the Catholic Church is one of the most beautiful parts of the Mass…

  4. quorlia February 10, 2012 at 4:02 am - Reply

    I had heard about the tooth collecting before and wondered if it had any connection to the tooth fairy myth.

  5. […] Chirurgeon’s Apprentice, Lindsey Fitzharris took us ‘beyond the grave’ to explore Concepts of Death in Early Modern England. Meanwhile, at Necropolis Now, Caroline Harris posted a fascinating Interview with Professor Ronald […]

  6. John Carbone, MD, JD, FCLM July 27, 2013 at 2:17 pm - Reply

    As a psychiatrist, I have long believed that the sterile packaging, marketing, and Disney-fication of death in our 21st century plastic world has interfered with healthy grieving and the perception of the end of life as a normal part of the natural cycle. Good article, Professor, as always.

  7. Amardeep Singh Sadhra July 27, 2013 at 2:36 pm - Reply

    Another interesting post Lindsey. Good reading.

  8. […] For us, the dead are dead, and anything which suggests otherwise is the product of the overactive imaginations of writers and movie-makers. Or, of course, the past. – Lindsay Fitzharris, Chirurgeon’s Apprentice […]

  9. […] eclectic collection of posts spans the gamut from the realities of the dissecting theatre to the concepts of death in the 19th century,  to the horrors of vivisection on living animals.  A Wellcome Trust […]

  10. Tom Bertrand October 29, 2013 at 4:30 am - Reply

    If memory serves me rightly, the recipe for medieval sedative dwale, which contained a wide variety of ingredients, was most effective if drunk from the skull of a convicted criminal.

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